Monday, May 11, 2015

Event 1 Blog Assignment | The Hammer Museum

Event 1 Blog Assignment | The Hammer Museum




Last week, I visited the Hammer Museum in Los Angeles for the fifth time in my college career, and as usual it proved to be an enriching experience. This season's visit displayed a variety of exhibits ranging in theme from suburban housewife satire to modern architectural designs across the world to apocalyptic short-films centered around a thumb. Yes, a human thumb. 

Most intriguing to me, however, was Pedro Reyes' exhibit known as "The People's United Nations" or (pUN). The project served as a simultaneously kitschy yet powerful exhibition that put the diplomatic and global problem-solving goals of the United Nations into the hands of ordinary people and allowed them to come up with the results.

These results were then represented as quirky and light-hearted takes regarding very real global issues. Reyes used a heavy dosage of paradoxical imagery to convey the contrast between controversial topics such as war, famine, and politics against peaceful, child-like symbols like a dove or a peace sign. In relation to the disciplines covered in our course regarding Art x Science x Technology, I began to notice a distinct trend among Reyes pieces - taking the technologic advancements made in global interactions like war and politics and re-representing them with new meaning by adding artistic elements to them. 

As seen above and to the right, one of the largest and most readily eye-catching pieces in the exhibit was the large, white sculpture hanging from the ceiling. Knowing that the exhibit was about politics, my mind immediately ascribed the label of "fighter jet" as potential muse for the abstract piece. Upon reading the title of the work, "Drone Dove", it made sense that what I saw was actually a flying war vehicle in-part, but inverted in a way that is also conveyed peace through the peaceful imagery of the dove. What Reyes did was fuse together two very different images into one art piece - what I interpreted to be a bridge that he sees between war and peace. 

      

Reyes extended this theme of technology/science concepts complemented by artistic expression in a series of paintings that draped one of the walls in the single-space exhibit. 

Reyes complemented a groups of paired images together into endearing paradoxical art pieces - a rose & a gun, a jungle gym & a tank, and freedom (breaking away of chains) & DNA, just to name a few, on the wall. The message seemed clear enough - that objects normally associated with dreadful feelings (like violence) could be quelled with harmonious or uplifting images. I found it interesting that all of the scientific inventions/technologic components of the pieces seemed dubbed as the "scary" or "fear-inducing" components of the pieces- needing to be balanced out with more light-hearted images to supplement. What is it about technology that has pushed it into weary territory? 

           


This last piece I wanted to touch on not because it directly related to Art x Sci x Tech, but because it stood out to me. What I see when I look at this piece, an installation made of various shapes of speech bubbles, is the idea that words have become tangible. In context to the rest of the exhibit, this piece seemed to glue all the components together by conveying the message that words mean nothing unless they produce a tangible byproduct as a result. I found this piece particularly innovative.                     

Overall, I would recommend this event, and the Hammer in general, as the museum is relevant and challenging in regards to it's very modern art displays that are a response to the world around us in a way that you might not find at a museum centered around more classical art forms or art pieces. The pieces were engaging and often eye-popping. Plus, the museum is free to visit and fully equipped with cafe, patio seating, and even table tennis. Make sure you block out a few hours!  









































Sunday, May 10, 2015

Week 6 Blog Assignment | BioTech + Art


Week 6 Blog Assignment | BioTech + Art



Scientists Breed Glow-in-the-Dark Rabbits

This week's material peaked my curiosity towards the idea of animal modification and genetic restructuring at the hands of human intervention. One of the most interesting facets of this week's material for me was the glow-in-the-dark bunny, which inspired me to delve more into recent studies in animal genetics.

Surprising to me was how the researchers hope that the technique can lead to new ways to produce medicines, and that the rabbits are expected to have the same life span as their non-glowing counterparts, but research-lead Moisyadi said he understands people can object to this kind of experimentation involving live animals. [Holpuch]
The key question that I posed this week was this: How much control do researchers/people really have over genetic modifications? What rules do we impose on ourselves as guidelines and why? 
Ultimately, the genetic engineering of animals has increased significantly in recent years, and the use of this technology brings with it ethical issues, some of which relate to animal welfare — defined by the World Organisation for Animal Health as “the state of the animal…how an animal is coping with the conditions in which it lives. One of the pressing concerns regarding experiments such as the glowing rabbits is the sheer number of animals required for experimentation. Many of the embryos that undergo genetic engineering procedures do not survive, and of those that do survive only a small proportion (between 1% to 30%) carry the genetic alteration of interest [Ormandy].

The Liger - Hybridized Jungle Cat, The Largest in the World

Stories akin to the glowing rabbits in include Hercules, a 922 pound behemoth - the world's largest living cat according to the Guinness Book of World Records.

Hercules is a liger -- the hybrid offspring of a male lion and a tigress -- who lives at the Myrtle Beach Safari in South Carolina. Ligers, which do not exist in the wild [Jaregui] and stories like Hercules represent controlled genetic modification for human entertainment and sight-seeing rather than medical purposes or scientific advancement.


Trailer for Jurassic World - ft. Genetic Modification


In a more readily practical scenario than medicinal bunnies or enjoyable ligers is the recent usages for spider silk which, due to its incredible strength in relation to size, is being researched for use in bulletproof vests, artificial tendons, bandages, even computer chips and fiber optic cables for surgery. Because harvesting enough silk requires tens of thousands of spiders and a lot of waiting time. So researchers are turning to goats, an animal that could be improved with spider DNA. Professor Lewis from the University of Wyoming has isolated the genes that produce dragline silk, the strongest type of silk spiders use when they anchor their web. Then he spliced the genes with the genes used by goats to produce milk, mated that goat, and confirmed that three of the seven baby goats retained the silk-producing gene; at this point the milk from the goats can be filtered out for the spider silk [Handley]. 

Today, the Media seems to take a negative stance on human interference in animal genetics. In the most recent trailer for the upcoming Jurassic Park film, we see that the conflict of the plot comes from a newly created dinosaur that is designed to be larger and more impressive than any dinosaur before - with deadly consequences as it turns against it's creators. Stories like Jurassic Park again cause us to question: how much control do we really have or understand over our genetic modifications? Should we fear our own manipulations? 


Citations

Comstock, Paige. "Ligers, Tigons, and Splice: Human-Animal Hybrids | The Center for Bioethics & Human Dignity." The Center for Bioethics and Human Dignity. The Center for Bioethics and Human Dignity, 20 May 2011. Web. 11 May 2015.

Glowing Bunnies. Digital image. The Guardian. The Guardian, 13 Aug. 2013. Web. 10 May 2015.

Handley, Andrew. "10 Insane Cases of Genetic Engineering - Listverse."Listverse. Listverse, 07 Mar. 2013. Web. 11 May 2015.

Hercules the Liger. Digital image. The Guardian. The Guardian, 13 Sept. 2013. Web. 10 May 2015.

Holpuch, Amanda. "Scientists Breed Glow-in-the-dark Rabbits." The Guardian. The Guardian, 13 Aug. 2013. Web. 10 May 2015.

Jauregui, Andres. "Hercules, 922-Pound Liger, Is The World's Largest Living Cat." The Huffington Post. TheHuffingtonPost.com, 13 Sept. 2013. Web. 11 May 2015.

Ormandy, Elisabeth H., Julie Dale, and Gilly Griffin. "Genetic Engineering of Animals: Ethical Issues, including Welfare Concerns." The Canadian Veterinary Journal. Canadian Veterinary Medical Association, May 2011. Web. 11 May 2015.

Pictures, Universal. "Jurassic World - Official Global Trailer (HD)." YouTube. YouTube, 20 Apr. 2015. Web. 11 May 2015.

Vesna, Victoria. "5 Bioart Pt1 1280x720." YouTube. UC Online, 8 Sept. 2013. Web. 08 May 2015.

Vesna, Victoria. "5 Bioart Pt2 1280x720." YouTube. UC Online, 17 May 2012. Web. 08 May 2015.









Sunday, May 3, 2015